Recently, I have begun incorporating Artificial Intelligence into my research process as a way of discovering new forms of raw material. Instead of searching only through existing archives and forgotten corners of the internet, I use generative systems to produce images that function as speculative found footage — fragments that do not belong to any past, yet appear to carry memory.

In this context, Artificial Intelligence becomes an extension of the digital archaeological process that defines my practice. The generated image is not understood as a finished artwork, but as matter to be edited, recycled, and recontextualized through montage. By working with AI-generated imagery as if it were found material, my practice continues to question authorship, ownership, and the lifecycle of images in an era of synthetic visual production.


Music: Jetty — I get to be here,
from More Love Songs (2025)